m a t t h e w m a h a n e y |
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from Solicitude |
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So many late nights a pressure
on the inside of your cheek
a cave fish probing blindly
your tongue
somehow unexhausted
after whole minutes
spent cradling small pyramids of meat
: :
After learning of crows
the way they circle & covet
newborn lambs how they go
for the eyes
feast on their eyes each bleak spring
you wonder
no longer
why a swarm’s true calling is murder
: :
In the dream you saw an infant being pulled
blue-gray & silent from
its mother
you spend the rest of the day unable to
focus
on anything but the memory
of your father
on his back
in a hospital
room choked with flowers and family
lungs forcing thin streams of air
through a crowd of tumors
: :
The morning comes so cold
it breaks
open with a bird
lying dead on the welcome mat
an ambulance’s insistent bleat
streaming
through the damp air
: :
The exhibit
is a continuous loop forty-seven
seconds of black and white footage 00-13: Trees, winterbare and endless
snow spread thick
over the bottom half of the screen
14-18: A deer steps into the camera’s field of vision
from the right
19: Half-obscured by an oak, it stops to sniff the air
20: A gun clears its throat and the deer
lays down
21-47: It stretches and curls
straightens and bends
its thin legs over and
over, makes a hollow
in the snow, a new place
to sleep.
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MATTHEW MAHANEY was born in one place, grew up in another, and has since lived in several more. He currently lives in Tuscaloosa, where he is an MFA candidate at the University of Alabama. Other work appears or is forthcoming in Caketrain, GlitterPony, Indiana Review, Jellyfish, PANK, and Redivider. |
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